Zitat
W. Brückle, T. Knüsel, and M. Achim, “Hacking, Post-Photographic Practice, Digital Détournements,” Die Nummern, no. 10, pp. 16–22, 2021.
Abstract
During the past decade digital transformation has directly or indirectly inspired the development of new study programmes at the Lucerne School of Art and Design. Encouraging digital competence and reflecting on the creative and societal implications of technological change are now key aims of our institution. Post-photography emerged as a central topic in that process. But what exactly do we mean when we use the term? Is it photography for the electronic age, where digital technology transforms, intensifies and expands photography, or does it include all self-interrogation of photographic practices? Does it imply the dominance of metadata over the experience of the image? Is it image or information?
Contains: Wolfgang Brückle and Thomas Knüsel in conversation with Achim Mohné on Hacking, Post-Photographic Practice, Digital Détournements and their relevance for art in the new public space.
Issue Editors
Wolfgang Brückle and Salvatore Vitale
114 pages, May 2021
ISBN 978-3-033-08491-9
Language: English
Schlagwörter
Fotografie
Hacking
Medienkunst
Post-Photograpy
Public Space
öffentlicher Raum